"Christopher de Bellaigue has a magic talent for writing history. It is as if we are there as the era of Suleyman the Magnificent unfolds." —Orhan Pamuk, Winner of the Nobel Prize for Literature Narrated through the eyes of the intimates of Suleyman the Magnificent, the sixteenth-century sultan of the Ottoman Empire, The Lion House animates with stunning immediacy the fears and stratagems of those brought into orbit around him: the Greek slave who becomes his Grand Vizier, the Venetian jewel dealer who acts as his go-between, the Russian consort who becomes his most beloved wife.Within a decade and a half, Suleyman held dominion over twenty-five million souls, from Baghdad to the walls of Vienna, and with the help of his brilliant pirate commander Barbarossa placed more Christians than ever before or since under Muslim rule. And yet the real drama takes place in close-up: in small rooms and whispered conversations, behind the curtain of power, where...

On August 19, 1953, the American and British intelligence agencies launched a desperate coup in Iran against a cussed, bedridden seventy-two-year-old man. His name was Muhammad Mossadegh, and his crimes had been to flirt with communism and to nationalize his country's oil industry, which for forty years had been in British hands. To Winston Churchill, the Iranian prime minister was a lunatic, determined to humiliate Britain. To President Dwight Eisenhower, he was delivering Iran to the Soviets. Mossadegh must go.And so he did, in one of the most dramatic episodes in modern Middle Eastern history. But the countries that overthrew him would, in time, deeply regret their decision. Mossadegh was one of the first liberals of the Middle East, a man whose conception of liberty was as sophisticated as any in Europe or America. He wanted friendship with the West--but not slavish dependence. He would not compromise on Iran's right to control its own destiny. The West therefore...